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It is all brief, Rubinstein plays expressively and Coates leads boldly (although not quite with the visceral excitement he brought to his famous 1930 Rachmaninoff Third with Horowitz). While the rest of the world thought of him as a Chopin expert, Rubinstein himself claimed Brahms to be his favorite composer. A commission for a Requiem preyed on his mind. The only dramatization using the actual scriptures. However, he believed that Mozarts inane and immature behaviour was a byproduct of the creative intensity surrounding his process of composition x0201c;Never was Mozart less recognisably a great man in his conversation and actions, than when he was busied with an important work. Acta Mozartiana 41 15-20. The last time this art had been notably featured on screen was in Hollywood, in Tom Laughlin8217;s THE BORN LOSERS (1967) and its 1971 sequel BILLY JACK where Laughlin dropped Hapkido moves on biker gangs and bigots.