In 1954 (in a very early stereo taping) Rubinstein had recorded this concerto with Fritz Reiner and the Chicago Symphony (on volume 34) in which ample poetry arose from fleet precision and attentive care to the subtleties of the score. Salieri is a minor figure; there are just hints of animosity between the two men when Mozarts face darkens at the mention of his name. At the heart of the Time War, billions are dying, being resurrected and dying repeatedly. Ashton created what is considered to be among his most masterful choreography for his new version of La Fille mal gardГe.