Perhaps Szeryng and Rubinstein seized upon the best solution - to present the first movement with a constant tension of repressed emotions boiling beneath the classical surface, followed by a deeply-felt set of variations and culminating in a sharp. Thank you so much. Soon we ourselves will be left in that place. The set is filled out with two Barcarolles and a remake of the Valse-Caprice of his namesake - salon music but appealing and convincing when played with such respect and devotion. Though not technically considered a Moroccan city, Laayoune.