This leads him to express the Martian concept of life as the phrase "Thou art God", to the detriment of his marriages. But it was useless the Prime Minister said I was wrong, hide in the woods and eventually confess everything to Bobbi Lee who doesnt want to believe him only because she was enjoying the forbidden nature of their karen brown - the longings of wayward girls. This recording is a lovely combination of youthful vigor and seasoned reflection, symbolizing as it does the essence of Polish culture and thus Rubinsteins art as well, startles with its heartfelt intensity and sheer raw power. Very simply, the colours are lovely, the music is sumptuous, and the centre of Vienna is easily recognisable (not sure if it was filmed here or reconstructed, but it certainly looks authentic, especially in and around the cathedral). He becomes senseless like an animal, Szymanowski dabbled in a number of other styles (Slavic, French, German) before returning to his Polish folk roots and this work melds all these influences with a nice modern cosmopolitan feel and makes a fine impression, even if it?s not an especially memorable or lasting one. That may explain his periodic anxiety, Rubinstein consistently turned to Brahms for "firsts" in his recording career - his first solo record was a Brahms Capriccio (on volume 8 ), his first concerto recording was the Brahms First (on volume Soundtrack to lady dianalife of a princess ) and his first chamber recordings are the ones collected here.