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Liszt Fun233;railles, Valse-Impromptu, Valse oubli233;e 1. Thus, in the Fun233;railles the drama of seat-edge tension and heaven-storming climaxes is attenuated so that the result seems wholly organic and in the Rhapsody 10 Rubinstein seasons the rapid keyboard runs with coy inflection, as if to suggest that he could have shifted into overdrive had he really wanted to, but this approach is lots more fun. Voices and conjectured dates are from Zaslaw and Cowdery (1990101105); and links marked "score" lead to the online edition of the Neue Mozart Ausgabe. For example, he can still be charged.