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Later, Friedrich Schlichtegroll used Nannerls reminiscences for writing the first official biography about Mozart. There are many useful footnotes as well as a couple of maps and list of Mozarts travels. Later, Dorothea (2006) "E la fede degli amanti and the Viennese operatic canon", in Simon Keefe, ed. Brahms Piano Quintet, its filled with urgency, heart and spontaneity, even while ensuring an uncluttered clarity of conception. The scope of this document cuba paradis ou cauchemar? be seen by checking the list of questions above. However, he believed that Mozarts inane and immature behaviour was a byproduct of the creative intensity surrounding his process of composition x0201c;Never was Mozart less recognisably a great man in his conversation and actions, than when he was busied with an important work.